The Adriatic Sea seen from the roof terrace of Palazzo del Cinema on the Lido - Photo: Cat Bauer |
Roberto Cicutto, President of La Biennale di Venezia Toto Bergamo Rossi, Director of Venetian Heritage Simone Venturini, Venice Councilor of Tourism & Economic Dev. Dario Franceschini, Italian Minister of Culture Luca Zaia, President of the Veneto Region Photo: Cat Bauer |
THE MOST IMPORTANT VENETIAN ART COLLECTION IN THE WORLD IS EXPANDED WITH TWO MONUMENTAL SALONS COMPLETELY RE-ESTABLISHED AND DEDICATED TO PAINTING FROM THE SEVENTEENTH AND EIGHTEENTH CENTURIES
Scourge of the Serpents by Giambattista Tiepolo (c.1732-34) Photo: Matteo De Fina |
The most riveting painting in the new salons is the Scourge of the Serpents by Giambattista Tiepolo (1696-1770) an enormous work of art more than 42 and a half feet long (13 meters) depicting a horrific attack of snakes on what seems to be innocent children, women and men — an infant appears to be suckling at the breast of his dead mother.
Scorge of the Serpents (detail) Tiepolo - Photo: Cat Bauer |
Apparently the Lord had sent venomous serpents to punish the Israelites for criticizing him and Moses. Moses is at the center, raising a bronze serpent on a rod. The painting was restored by Venetian Heritage in memory of its founder, Lawrence D. Lovett.
I had never heard of this dramatic story before, so I did a little research. Here is the Biblical passage from Numbers 21:4-5 that the painting portrays:
The Bronze Snake
They traveled from Mount Hor along the route to the Red Sea to go around Edom. But the people grew impatient on the way; they spoke against God and against Moses, and said, “Why have you brought us up out of Egypt to die in the wilderness? There is no bread! There is no water! And we detest this miserable food!”
Then the Lord sent venomous snakes among them; they bit the people and many Israelites died. The people came to Moses and said, “We sinned when we spoke against the Lord and against you. Pray that the Lord will take the snakes away from us.” So Moses prayed for the people.
The Lord said to Moses, “Make a snake and put it up on a pole; anyone who is bitten can look at it and live.” So Moses made a bronze snake and put it up on a pole. Then when anyone was bitten by a snake and looked at the bronze snake, they lived.
It seems that Tiepolo caught the moment just as Moses was raising the bronze serpent because there were a lot of Israelites already dead with snakes coiled around their bodies. I will confess that after having been raised on a benevolent Jesus Christ it is difficult to wrap my mind around Christ having such a cruel father -- and that is supposed to be the universal image of the one god? It is a magnificently disturbing work of art.
Revelers at Benedetto Marcello Conservatory for Venice Glass Week - Photo: Casadorofungher |
The Venice Lagoon from Terrazza Danieli - Photo: Cat Bauer |
Alberto Fol, the Executive Chef of Hotel Danieli's Terrazza Danieli Restaurant, paid tribute to Bong with an evening entitled The Stairway to Paradise, inspired by the class struggle in the film. The menu combined the proletarian with the aristocratic, and featured delicacies that I am taking straight off the press release:
- La Roccia della Ricchezza - Scampi prawn tartar with gold leaf and Gochugaru (Korean chili powder)
- Parasite Pizza - Steamed pizza with oriental vegetables and burrata
- Parasite Jiapaguri - Ramen and udon mix with premium beef sirloin
- Chicken - with prune syrup and honey
- Birthday Skewer - Sausages and prawns with bulgogi sauce
- Peach and Tofu - with Chopinamu berry
- Da-Song Chocolate Cak
It seems like every cultural organization in Venice schedules events and openings around the same time that the Venice Film Festival kicks off. There is a slew of international press in town, and the hope is that the press will attend and shine a headline or two their way — so we’ve got major openings at the Gallerie dell’Accademia and Palazzo Ducale as well as the Venice Glass Week scattered in venues and galleries all over the city. We careen from ancient Renaissance to glam Hollywood to glitzy haute couture without missing a beat. Venice is exploding out of lockdown in a town stuffed with celebrities and dignitaries, as well as ordinary folk.
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