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“Art or Sound”- Fondazione Prada
Photo: Attilio Maranzano - Courtesy Fondazione Prada
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(Venice, Italy)
Art Night Venezia, the night Venice throws opens her doors and invites the public to view her treasures for
free, is now in its fourth edition, and it gave me the chance to revisit some of the city's hippest happenings, plus take in a few I hadn't had the chance to see. This year, Art Night Venezia fell on June 21, the summer solstice, and it was invigorating to see masses of people strolling about the city until all hours, making the rounds to museums, galleries, foundations and other notable venues, clambering up and down the steps of ancient palaces to feast on a boundless supply of contemporary creativity.
I was at the cocktail reception for "Art or Sound" over at the Prada Foundation on June 4th, and it seemed like everyone in town for the opening of the architecture exhibition was there, too, so I welcomed the opportunity to visit under calmer circumstances.
In June 2011, the Fondazione Prada reopened part of Ca' Corner della Regina, the 18th-century
palazzo that was built on the ruins of the palace where Catherine Cornaro (1454-1510), the Queen of Cyprus (and one of Venice's most fascinating historical figures) was born, after an impressive restoration. With "Art or Sound," the public finally has access to the stately second floor.
Curated by Germano Celant, the exhibition is like wandering into grownup fairytale with two floors of the palace packed with more than 180 artifacts based on sound -- paintings and sculptures, musical clocks and birdcages, a fairground organ and music machines, real and imaginary musical instruments that date back to the 1500s, and up through today. The craftsmanship of a stunning white marble with guitar with intricate black marble-paste inlays (1680) by Michele Antonio Grandi made me marvel at the exquisite capacity of human beings to create.
The exhibition examines the influence of sound on art for the past 500 years or so; particular attention is paid to artists of the 20th century. Ulf Linde's 1963 replica of Marcel Duchamp's ball of twine
With a Hidden Noise (1916) is there; Man Ray's photograph of a metronome
Indestructible Object (1923) is there, as is Salvador Dali's chalk-on-paper
Métronome (1944); John Page's musical score for
Variations I (1958) is there; one of the coolest objects is Laurie Anderson's phone booth,
Numbers Runners (1979) where a line of visitors wait their turn to pick up the phone and listen to what's on the other end of the line.
"
Art or Sound" runs through November 3, 2014 and is a MUST SEE.
Click for more information.
I didn't have time to visit my favorite island, the Island of San Giorgio Maggiore, during Art Night Venezia, but I had practically been living there during the opening of the architectural exhibition; the superb exhibition
The Santilanas at the Stanze del Vetro is always free. Hiroshi Sugimoto's "The Glass Tea House
Mondrian" is located in front of the
Rooms of Glass; both were open late during Art Night Venezia.
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| Glass Tea House Mondrian by Hiroshi Sugimoto |
During the press conference on June 4th, Pasquale Gagliardi, the Secretary General of the Fondazione Giorgio Cini emphasized that the mission of the foundation was to be a bridge between the East and the West, and The Glass Tea House does just that, bringing the ancient Japanese tea ritual to Europe. Sugimoto, who lives in New York, said that the Japanese were very different from Americans, who put all their wealth in their house. When invited into a Japanese tea house, only a very few select art objects are on display, precisely selected by the host for the guest. There is no talking; it is a graceful, silent ballet performed on one's knees as the tea is prepared and then drank.
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| Hiroshi Sugimoto |
According to Sen no Rikyu, the Buddhist monk who established the tea ceremony rules in the sixteenth century, the basic principles are
harmony, seen as proportion and relation;
respect, seen as dignity and communion;
purity, seen as openness and willingness to welcome and
serenity, seen as meeting and sharing.
Sugimoto designed a limited edition glass tea bowl specifically for the exhibition, which was blown by the Murano maestro Simone Cenedese. Sugimoto has agreed to return to Venice in the fall to work with the Murano glass blowers.
Click to go to the Stanze del Vetro for more information.
I finished up Art Night Venezia over at the Teatro Goldoni for the free 10:00PM performance of The Goldoni Experience, which I previously wrote about
here. Carlo Goldoni, the famous Venetian playwright, specialized in poking fun at his fellow citizens. The play is set on the last evening of Carnival, and the last night before the playwright, in the form of one of his own characters, the merchant Anzoletto, leaves for Paris. For anyone interested in Venetian culture and
commedia dell'arte, it is a MUST SEE. The show is in the Venetian language, but it has English subtitles -- actually super-titles, as the translation is projected above, not below, the action -- which makes viewing the production a bit of a challenge, but opera fans should have no problem.
I really enjoyed watching all the Venetian machinations that don't seem to have changed much to the present day; it is in the Venetian character to conspire and manipulate; I think they are born that way. Servants plot against themselves and their masters; aristocrats cheat on their wives; wives plot revenge. After all the comical exploitations, the show ends on a dramatic note as the fourth wall breaks down and the 21st Century bursts onto the stage. It is a heartbreaking love letter from the Venetians to the world.
June through September:
Every Tuesday at 7pm
Every Friday at 8pm
Click to go to the Teatro Goldoni for more information, or read my previous post:
Art Night Venezia 2014 included more than 400 free events, with about 100 cultural institutions opening their doors for free, and was organized by Ca' Foscari University and the City of Venice. With strong solidarity, the cultural institutions of Venice united and gave everyone in town a night to remember. The website of
Art Night Venezia is in Italian, but if you click the word
sedi at the top, that will take you to the venues or locations, and if you click the word
eventi... well, that is the same word in English -- events -- except that the male plural in Italian uses an "i" instead of an "s."
Ciao from Venezia,
Cat
Venetian Cat - The Venice Blog
Art Night Venezia, the night Venice throws opens her doors and invites the public to view her treasures for free, is now in its fourth edition, and it gave me the chance to revisit some of the city's hippest happenings, plus take in a few I hadn't had the chance to see.
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